Coordinators
Namge Wangmu Glow ​- Singchung
Tsering Jangmu Glow ​- Singchung
Kusum Ziri - Bichom

Master Weavers

Momtaz Hagam - Bichom
Millon Hagam - Sachida
Tashi Lamu - Dikhiyang
Lamu Phinya - Singchung
Nima Rumchu - Singchung
Chomi Khanam - Singchung
Pinky Hagam - Singchung

Bamboo Masters

Tashi Khanam - Dikhiyang
Pakau - Dikhiyang
Lamba Lagyan - Dikhiyang
Lam Cherin - Dikhiyang
Akheme - Singchung

Weaver Profiles

Chom Mosbu - Bichom

Advanced level- make flowers ,arrows and mora design

Kusum Ziri - Bichom

Intermediate level- make flowers ,arrows and mora design

Jangmu Bachung - Bichom

Intermediate level- make flowers ,arrows and mora design

Runa Bachung - Bichom

Intermediate level- make flowers ,arrows and mora design

Shivani Hagam - Bichom

Intermediate level- make flowers ,arrows and mora design

Chijang Sarang - Bichom

Intermediate level- make flowers ,arrows and mora design

Sonam Dema Hagam - Bichom

Intermediate level- make flowers ,arrows and mora design

Rosita Lali - Bichom

Advanced level- make flowers ,arrows and mora design

Nichom Hagam - Bichom

Advanced level- make flowers ,arrows and mora design

Ninu Mosbu - Bichom

Advanced level- make flowers ,arrows and mora design

Tsering Jamu Bachung - Bichom

Beginner’s level- learning to make flowers and arrows

Anjali Tamang - Singchung

Beginner’s level- she makes plain weaves

Tsering Jangmu Glow - Singchung

Intermediate level- learning to make designs

Tenzin Wangmu - Singchung

Beginner’s level- learning to make designs

Mona Phiang - Singchung

Creates a simple design developed by the cluster for practice.

Rinchin Dema Phinya - Singchung

Intermediate level- has started to make arrow designs

Pema Lamu - Singchung

Beginner’s level- learning plain

Saloni Sarai - Singchung

Intermediate level- makes the simple design developed by the cluster.

dakshina dvaraka foundation Team

Sushruti Santhanam

Sushruti Santhanam founded Dakshina Dvaraka Foundation in 2015, to foster research in performing arts and traditional crafts, archival work, support communities of traditional artists and artisans and mentor younger researchers who want to work with traditional creative communities. Sushruti brings together three very different worlds of inquiry and practice with a doctoral degree in History, a deep and long engagement with artists and artisan communities across India and her own Carnatic music practice since early years. She has trained intensively as a vocalist in Carnatic music, in the rigorous Gurukula system, under her mother, Sangita Kalanidhi Smt. R. Vedavalli and she currently performs, teaches and works out of Pune. Studying Indian arts and crafts as knowledge systems, her special focus has been on building a perspective on 'tradition' as an epistemic space. Hence, while her working experience is with music, she engages with all areas of traditional creative space. Art as a knowledge system, craft as social design and critical perspectives on heritage are some of the themes that she has written and spoken about. She is a visiting faculty at the Interdisciplinary School of Sciences, University of Pune, an IKS mentor of the AICTE- GOI and has been a teaching cohort at the Design Technology and Innovation School at IIT Delhi. The Goh Bugun Project emerged from Sushruti’s long term study of the encounters between tradition and contemporary social contexts. As the project director she steers the planning and execution of the project, ideating and balancing between the various stakeholders and interests.

Sachin Sachar

Sachin Sachar is a practicing museum and experience designer, installation artist, collector of objects/materials, archivist, pedagogue, researcher, and an aspiring storyteller. His Delhi-based maker’s studio serves as a research lab, where making becomes an initiator for design thinking, exploring the intersection of craft, tradition, and innovation. Since 2013, his studio has also evolved into a formal archive curating a diverse collection of materials, objects, and tools that blend both traditional and contemporary elements. Since 2012, Sachin has been a regular visiting faculty member at prestigious institutions like NID, Ahmedabad, and IIAD, Delhi, where he shares his practice-based expertise. Sachin’s ongoing work focuses on helping individuals and communities reconnect with their cultural and ecological roots through sensory engagement and the revival of cultural memory. He uses his pedagogical expertise, making-centric journeys, and Storyeums as mediums to rejuvenate cultural memory and practices, especially within India’s tribal and craft communities. In the Goh Bugun project Sachin leads the sensitive conversations that invite community to remember what is being forgotten. He curates and helps document these very sensitive and nuanced conversations while keeping sight of the first principles of the project.

Thara Vadakkath

Thara holds a postgraduate degree in History from Pune University. With extensive experience in archiving, coordinating, and administering projects, she has a profound interest in oral traditions, history, and Indian arts. She has been trained in Carnatic music and currently learns Bharatanatyam. As the administrative coordinator, Thara is the vital link between various individuals and groups within the project and the gentle yet firm voice that demands accountability from all.